Archive for April, 2010
ESSAY: How to Say Hirst Was First
Making history is not easy, and not for the faint of heart. Damien Hirst’s biggest first was this: he addressed a topic most artist wouldn’t touch: money.
TREND: Street Art, Outsider Art, and URGENCY
With all the Banksy, Fairey hubub this year, all the Darger-loving last year, and the current, frequent calls by curators for art that’s made from a sense of “urgency,” I’m taking away the message that art’s new direction lies in a reaction against (<– always a good jumping off point for a convo about art) academic, heavily conceptual art on the one hand, and factory style, assistant/money-driven art on the other hand.
So, out with the Gregg Crewdson budget, the Jeff Koons assembly line, the Damien Hirst branding, and in with the heartfelt scrawls and scribbles, or hard-won wheatpaste murals.
Artists Cut Out The Middleman
Crump’s work looks a lot like Philip Guston with it’s goofy graceless forms. It’s got a bit of the Carrol Dunham about it as well. With a Ph.D. in cognitive psychology, Crump’s colorful spacemen and robots lay no claim to any high concepts, but Crump does try “infuse ideas about the mind into the paintings.”
Quote of the Day: Mary Boone
“Get them into debt … Get them to buy lots of houses, … get expensive habits and expensive girlfriends and expensive wives.”
~ Mary Boone (on how to get artists to produce)